Sleep Regression by Michael Goe
Acrylic on Canvas | 48×59.5
This is a portrait painted in layered acrylics, featuring a face and hand outlined with loose, sketch-like lines. The color palette includes soft blues, pale yellows, coral pinks, and red accents. The background is filled with repeated vertical dash marks in teal and navy, creating a textured pattern behind the figure. Visible brushstrokes and overlapping color fields give the surface a varied, painterly quality.
Michael Goe is an artist and museum professional. He earned his Master of Arts in painting from Adams State University in 2016. Michael’s passion for art came from years of living in rural areas with limited access to cultural events. In 2014, while living in an area of Colorado still considered to be the frontier by the U.S. Government, Michael started the city’s very first monthly Art Walk. Through this experience, he saw how art can connect people from different backgrounds and create meaningful interactions strengthening a community. Michael came to Hamilton, NY from Detroit, Michigan where he pursued his artistic passions through working at the Detroit Institute of Arts and the Museum of Contemporary Art Detroit.
Blue Boy by Michael Goe
Acrylic Canvas | 48×59.5
This is a portrait painted in layered acrylics, featuring a face and hand outlined with loose, sketch-like lines. The color palette includes soft blues, pale yellows, coral pinks, and red accents. The background is filled with repeated vertical dash marks in teal and navy, creating a textured pattern behind the figure. Visible brushstrokes and overlapping color fields give the surface a varied, painterly quality.
Michael Goe is an artist and museum professional. He earned his Master of Arts in painting from Adams State University in 2016. Michael’s passion for art came from years of living in rural areas with limited access to cultural events. In 2014, while living in an area of Colorado still considered to be the frontier by the U.S. Government, Michael started the city’s very first monthly Art Walk. Through this experience, he saw how art can connect people from different backgrounds and create meaningful interactions strengthening a community. Michael came to Hamilton, NY from Detroit, Michigan where he pursued his artistic passions through working at the Detroit Institute of Arts and the Museum of Contemporary Art Detroit.
Cyclops by Michael Goe
Acrylic & Charcoal on Canvas | 36×36
This is a portrait painted in layered acrylics, featuring a face and hand outlined with loose, sketch-like lines. The color palette includes soft blues, pale yellows, coral pinks, and red accents. The background is filled with repeated vertical dash marks in teal and navy, creating a textured pattern behind the figure. Visible brushstrokes and overlapping color fields give the surface a varied, painterly quality.
Michael Goe is an artist and museum professional. He earned his Master of Arts in painting from Adams State University in 2016. Michael’s passion for art came from years of living in rural areas with limited access to cultural events. In 2014, while living in an area of Colorado still considered to be the frontier by the U.S. Government, Michael started the city’s very first monthly Art Walk. Through this experience, he saw how art can connect people from different backgrounds and create meaningful interactions strengthening a community. Michael came to Hamilton, NY from Detroit, Michigan where he pursued his artistic passions through working at the Detroit Institute of Arts and the Museum of Contemporary Art Detroit.
The New Abnormal by Michael Goe
Acrylic & Charcoal on Canvas | 36×36
This is a portrait painted in layered acrylics, featuring a face and hand outlined with loose, sketch-like lines. The color palette includes soft blues, pale yellows, coral pinks, and red accents. The background is filled with repeated vertical dash marks in teal and navy, creating a textured pattern behind the figure. Visible brushstrokes and overlapping color fields give the surface a varied, painterly quality.
Michael Goe is an artist and museum professional. He earned his Master of Arts in painting from Adams State University in 2016. Michael’s passion for art came from years of living in rural areas with limited access to cultural events. In 2014, while living in an area of Colorado still considered to be the frontier by the U.S. Government, Michael started the city’s very first monthly Art Walk. Through this experience, he saw how art can connect people from different backgrounds and create meaningful interactions strengthening a community. Michael came to Hamilton, NY from Detroit, Michigan where he pursued his artistic passions through working at the Detroit Institute of Arts and the Museum of Contemporary Art Detroit.
Painting by Michael Goe. Learn more about the artist →
A Series of Impossible Wounds, Composition 1 by Joseph Christiana
Encaustic Wax & Mixed Media on panel board | 36×24
$800 ($1,450 for pair)
An interdisciplinary visual artist, Joseph’s mediums include oil, encaustic wax, epoxy resin, and film. His art is currently represented by multiple galleries and exhibitions along the east coast, his films have won awards on the indie circuit, procured distribution, and have screened at many film festivals. He is also a published writer and an optioned screenwriter.
After earning his BFA in Visual Art and Design from Mason Gross School of Art at Rutgers University, he began his career as an architectural designer and 3D illustrator. He currently serves as Creative Director for a New York-based architectural design firm, where his projects have earned myriad accolades.
He currently lives just outside of Hamilton, NY with his wife and is in the process of converting a historic barn into an art studio, soon to open its doors as Barnstorm Studios.
A Series of Impossible Wounds, Composition 3 by Joseph Christiana
Encaustic Wax & Mixed Media on panel board | 34×24
$800 ($1,450 for pair)
An interdisciplinary visual artist, Joseph’s mediums include oil, encaustic wax, epoxy resin, and film. His art is currently represented by multiple galleries and exhibitions along the east coast, his films have won awards on the indie circuit, procured distribution, and have screened at many film festivals. He is also a published writer and an optioned screenwriter.
After earning his BFA in Visual Art and Design from Mason Gross School of Art at Rutgers University, he began his career as an architectural designer and 3D illustrator. He currently serves as Creative Director for a New York-based architectural design firm, where his projects have earned myriad accolades.
He currently lives just outside of Hamilton, NY with his wife and is in the process of converting a historic barn into an art studio, soon to open its doors as Barnstorm Studios.
Antheia by Joseph Christiana
Encaustic Wax and Oil on found wood panel | 36×48
An interdisciplinary visual artist, Joseph’s mediums include oil, encaustic wax, epoxy resin, and film. His art is currently represented by multiple galleries and exhibitions along the east coast, his films have won awards on the indie circuit, procured distribution, and have screened at many film festivals. He is also a published writer and an optioned screenwriter.
After earning his BFA in Visual Art and Design from Mason Gross School of Art at Rutgers University, he began his career as an architectural designer and 3D illustrator. He currently serves as Creative Director for a New York-based architectural design firm, where his projects have earned myriad accolades.
He currently lives just outside of Hamilton, NY with his wife and is in the process of converting a historic barn into an art studio, soon to open its doors as Barnstorm Studios.
Persephone by Joseph Christiana
Encaustic Wax and Oil on wood panel | 36×36
An interdisciplinary visual artist, Joseph’s mediums include oil, encaustic wax, epoxy resin, and film. His art is currently represented by multiple galleries and exhibitions along the east coast, his films have won awards on the indie circuit, procured distribution, and have screened at many film festivals. He is also a published writer and an optioned screenwriter.
After earning his BFA in Visual Art and Design from Mason Gross School of Art at Rutgers University, he began his career as an architectural designer and 3D illustrator. He currently serves as Creative Director for a New York-based architectural design firm, where his projects have earned myriad accolades.
He currently lives just outside of Hamilton, NY with his wife and is in the process of converting a historic barn into an art studio, soon to open its doors as Barnstorm Studios.
Mortal Coil 1 and 2 by Joseph Christiana
Encaustic Wax and Oil on found wood panel | 19×57 each
$1800 for pair
An interdisciplinary visual artist, Joseph’s mediums include oil, encaustic wax, epoxy resin, and film. His art is currently represented by multiple galleries and exhibitions along the east coast, his films have won awards on the indie circuit, procured distribution, and have screened at many film festivals. He is also a published writer and an optioned screenwriter.
After earning his BFA in Visual Art and Design from Mason Gross School of Art at Rutgers University, he began his career as an architectural designer and 3D illustrator. He currently serves as Creative Director for a New York-based architectural design firm, where his projects have earned myriad accolades.
He currently lives just outside of Hamilton, NY with his wife and is in the process of converting a historic barn into an art studio, soon to open its doors as Barnstorm Studios.
Master Study of “Still Life” by Sarah Wilhelmina Wenzler
by Jillian Szeliga
Oil On Canva | 11x14
As a still life painter, my work is rooted in deep, direct observation. I see myself as a translator, conveying what I witness into two dimensions. Each painting is a humbling opportunity to learn and to rediscover the childlike joy found in unexpected color combinations and the play of shapes, light, and shadow.
My inspiration comes from the visual world, from the paint itself, and from the works of other painters. I find solace in the strokes of the Old Masters I study and embrace historical oil painting techniques. By honoring the masters, I'm not merely retracing their steps; I'm breathing life into their methods while boldly stepping into a future where past and present coexist harmoniously.
In a society that prioritizes speed, productivity, and profit, my work is intentionally small, slow, and human. Amid the constant push to innovate and redefine artistic norms, realism endures as a timeless language that continues to resonate across generations. I hope that my paintings offer viewers an opportunity to pause, reflect, and lean into the humanity of art in the face of the digital strokes of tomorrow.
Gourd by Jillian Szeliga
Oil On Panel | 5×7
As a still life painter, my work is rooted in deep, direct observation. I see myself as a translator, conveying what I witness into two dimensions. Each painting is a humbling opportunity to learn and to rediscover the childlike joy found in unexpected color combinations and the play of shapes, light, and shadow.
My inspiration comes from the visual world, from the paint itself, and from the works of other painters. I find solace in the strokes of the Old Masters I study and embrace historical oil painting techniques. By honoring the masters, I'm not merely retracing their steps; I'm breathing life into their methods while boldly stepping into a future where past and present coexist harmoniously.
In a society that prioritizes speed, productivity, and profit, my work is intentionally small, slow, and human. Amid the constant push to innovate and redefine artistic norms, realism endures as a timeless language that continues to resonate across generations. I hope that my paintings offer viewers an opportunity to pause, reflect, and lean into the humanity of art in the face of the digital strokes of tomorrow.
Still Life With Daffodil” by Jillian Szeliga
Oil On Canvas | 18x14
As a still life painter, my work is rooted in deep, direct observation. I see myself as a translator, conveying what I witness into two dimensions. Each painting is a humbling opportunity to learn and to rediscover the childlike joy found in unexpected color combinations and the play of shapes, light, and shadow.
My inspiration comes from the visual world, from the paint itself, and from the works of other painters. I find solace in the strokes of the Old Masters I study and embrace historical oil painting techniques. By honoring the masters, I'm not merely retracing their steps; I'm breathing life into their methods while boldly stepping into a future where past and present coexist harmoniously.
In a society that prioritizes speed, productivity, and profit, my work is intentionally small, slow, and human. Amid the constant push to innovate and redefine artistic norms, realism endures as a timeless language that continues to resonate across generations. I hope that my paintings offer viewers an opportunity to pause, reflect, and lean into the humanity of art in the face of the digital strokes of tomorrow.
"Eggs" by Jillian Szeliga
Oil On Canvas | 5x7
As a still life painter, my work is rooted in deep, direct observation. I see myself as a translator, conveying what I witness into two dimensions. Each painting is a humbling opportunity to learn and to rediscover the childlike joy found in unexpected color combinations and the play of shapes, light, and shadow.
My inspiration comes from the visual world, from the paint itself, and from the works of other painters. I find solace in the strokes of the Old Masters I study and embrace historical oil painting techniques. By honoring the masters, I'm not merely retracing their steps; I'm breathing life into their methods while boldly stepping into a future where past and present coexist harmoniously.
In a society that prioritizes speed, productivity, and profit, my work is intentionally small, slow, and human. Amid the constant push to innovate and redefine artistic norms, realism endures as a timeless language that continues to resonate across generations. I hope that my paintings offer viewers an opportunity to pause, reflect, and lean into the humanity of art in the face of the digital strokes of tomorrow.
Learn more about Jillian here.
"Study Of Time" by Jillian Szeliga
Oil On Canvas | 20x16
As a still life painter, my work is rooted in deep, direct observation. I see myself as a translator, conveying what I witness into two dimensions. Each painting is a humbling opportunity to learn and to rediscover the childlike joy found in unexpected color combinations and the play of shapes, light, and shadow.
My inspiration comes from the visual world, from the paint itself, and from the works of other painters. I find solace in the strokes of the Old Masters I study and embrace historical oil painting techniques. By honoring the masters, I'm not merely retracing their steps; I'm breathing life into their methods while boldly stepping into a future where past and present coexist harmoniously.
In a society that prioritizes speed, productivity, and profit, my work is intentionally small, slow, and human. Amid the constant push to innovate and redefine artistic norms, realism endures as a timeless language that continues to resonate across generations. I hope that my paintings offer viewers an opportunity to pause, reflect, and lean into the humanity of art in the face of the digital strokes of tomorrow.
Learn more about Jillian here.
“Copper Wheat” by Jillian Szeliga (SOLD)
Oil on Panel | 8x10
As a still life painter, my work is rooted in deep, direct observation. I see myself as a translator, conveying what I witness into two dimensions. Each painting is a humbling opportunity to learn and to rediscover the childlike joy found in unexpected color combinations and the play of shapes, light, and shadow.
My inspiration comes from the visual world, from the paint itself, and from the works of other painters. I find solace in the strokes of the Old Masters I study and embrace historical oil painting techniques. By honoring the masters, I'm not merely retracing their steps; I'm breathing life into their methods while boldly stepping into a future where past and present coexist harmoniously.
In a society that prioritizes speed, productivity, and profit, my work is intentionally small, slow, and human. Amid the constant push to innovate and redefine artistic norms, realism endures as a timeless language that continues to resonate across generations. I hope that my paintings offer viewers an opportunity to pause, reflect, and lean into the humanity of art in the face of the digital strokes of tomorrow.
Learn more about Jillian here.
Ripple 002 by Ryan J. Stewart
Acrylic On Canvas | 27×32
Without creativity in all facets of our lives, things tend to get pretty boring. Creativity is my goal when coming up with great concepts and final designs for all my artistic endeavors.
For the past 14 years I have worked at small design studios, corporate entities, large studios, collegiate institutions, charity work, and with numerous freelance clients. Throughout these experiences, I have done a bit of everything in the design/marketing realm; brochures, logos, catalogs, websites, social media, email marketing, re-brands, videos, training webinars, e-commerce, and everything in between.
The blending of my technical/mathematical design sensibilities and my love of various mediums meet in these initial pieces of a series titled “Groovy Industrial”.
Crisp lines, precision angles, and calculated radii, meld together with intent and freedom.
Groove 001 by Ryan J. Stewart
Acrylic On Canvas | 24.5×37
Without creativity in all facets of our lives, things tend to get pretty boring. Creativity is my goal when coming up with great concepts and final designs for all my artistic endeavors.
For the past 14 years I have worked at small design studios, corporate entities, large studios, collegiate institutions, charity work, and with numerous freelance clients. Throughout these experiences, I have done a bit of everything in the design/marketing realm; brochures, logos, catalogs, websites, social media, email marketing, re-brands, videos, training webinars, e-commerce, and everything in between.
The blending of my technical/mathematical design sensibilities and my love of various mediums meet in these initial pieces of a series titled “Groovy Industrial”.
Crisp lines, precision angles, and calculated radii, meld together with intent and freedom.
Groove 002 by Ryan J. Stewart
Acrylic On Canvas | 37×21.5 (SOLD)
Without creativity in all facets of our lives, things tend to get pretty boring. Creativity is my goal when coming up with great concepts and final designs for all my artistic endeavors.
For the past 14 years I have worked at small design studios, corporate entities, large studios, collegiate institutions, charity work, and with numerous freelance clients. Throughout these experiences, I have done a bit of everything in the design/marketing realm; brochures, logos, catalogs, websites, social media, email marketing, re-brands, videos, training webinars, e-commerce, and everything in between.
The blending of my technical/mathematical design sensibilities and my love of various mediums meet in these initial pieces of a series titled “Groovy Industrial”.
Crisp lines, precision angles, and calculated radii, meld together with intent and freedom.
Groove 003 - Brass by Ryan J. Stewart
Acrylic On Canvas | 16.5×20
Without creativity in all facets of our lives, things tend to get pretty boring. Creativity is my goal when coming up with great concepts and final designs for all my artistic endeavors.
For the past 14 years I have worked at small design studios, corporate entities, large studios, collegiate institutions, charity work, and with numerous freelance clients. Throughout these experiences, I have done a bit of everything in the design/marketing realm; brochures, logos, catalogs, websites, social media, email marketing, re-brands, videos, training webinars, e-commerce, and everything in between.
The blending of my technical/mathematical design sensibilities and my love of various mediums meet in these initial pieces of a series titled “Groovy Industrial”.
Crisp lines, precision angles, and calculated radii, meld together with intent and freedom.
Groove 003 - Percussion by Ryan J. Stewart
Acrylic On Canvas | 20.5×16.5
Without creativity in all facets of our lives, things tend to get pretty boring. Creativity is my goal when coming up with great concepts and final designs for all my artistic endeavors.
For the past 14 years I have worked at small design studios, corporate entities, large studios, collegiate institutions, charity work, and with numerous freelance clients. Throughout these experiences, I have done a bit of everything in the design/marketing realm; brochures, logos, catalogs, websites, social media, email marketing, re-brands, videos, training webinars, e-commerce, and everything in between.
The blending of my technical/mathematical design sensibilities and my love of various mediums meet in these initial pieces of a series titled “Groovy Industrial”.
Crisp lines, precision angles, and calculated radii, meld together with intent and freedom.
Groove 003 - Strings by Ryan J. Stewart
Acrylic On Canvas | 16.5×20.5
Without creativity in all facets of our lives, things tend to get pretty boring. Creativity is my goal when coming up with great concepts and final designs for all my artistic endeavors.
For the past 14 years I have worked at small design studios, corporate entities, large studios, collegiate institutions, charity work, and with numerous freelance clients. Throughout these experiences, I have done a bit of everything in the design/marketing realm; brochures, logos, catalogs, websites, social media, email marketing, re-brands, videos, training webinars, e-commerce, and everything in between.
The blending of my technical/mathematical design sensibilities and my love of various mediums meet in these initial pieces of a series titled “Groovy Industrial”.
Crisp lines, precision angles, and calculated radii, meld together with intent and freedom.
Dhomaine Chandon aka “BB”
Archival Pigment Print | 24x36
Sovereign - A Horse Series by Juli Trush Pace
I didn’t set out to photograph horses as fine art.
I said yes to what I thought would feel like headshots — structured, simple, controlled. Instead, I walked into a barn full of life. Horses stood in their stalls waiting their turn, watching one another step forward with their trusted owners, groomed with love –to shine. There was movement, breath, anticipation.
It felt like a procession.
And then I stood in front of them.
Each one was different. Massive. Beautiful. Aware.
Through the lens, I began to notice something I hadn’t expected. It wasn’t just their strength or their scale — it was their presence. It felt as though they were speaking without words. When I sat down to edit, I kept returning to their eyes. That is where I saw it — individuality. Depth. Soul.
Sovereign is about that quiet authority. The way a horse stands fully within itself. The way power can exist without noise.
This series marks a shift in my work — a deeper reverence for the animal form, something I have always felt connected to, and the sacred presence it carries.
—Juli Trush Pace | Raven’s Frame
Voltaire’s Nightkeeper aka “Sam”
Archival Pigment Print | 24x36
Sovereign - A Horse Series by Juli Trush Pace
I didn’t set out to photograph horses as fine art.
I said yes to what I thought would feel like headshots — structured, simple, controlled. Instead, I walked into a barn full of life. Horses stood in their stalls waiting their turn, watching one another step forward with their trusted owners, groomed with love –to shine. There was movement, breath, anticipation.
It felt like a procession.
And then I stood in front of them.
Each one was different. Massive. Beautiful. Aware.
Through the lens, I began to notice something I hadn’t expected. It wasn’t just their strength or their scale — it was their presence. It felt as though they were speaking without words. When I sat down to edit, I kept returning to their eyes. That is where I saw it — individuality. Depth. Soul.
Sovereign is about that quiet authority. The way a horse stands fully within itself. The way power can exist without noise.
This series marks a shift in my work — a deeper reverence for the animal form, something I have always felt connected to, and the sacred presence it carries.
—Juli Trush Pace | Raven’s Frame
Franzisko aka “Frankie”
Archival Pigment Print | 24x36
Sovereign - A Horse Series by Juli Trush Pace
I didn’t set out to photograph horses as fine art.
I said yes to what I thought would feel like headshots — structured, simple, controlled. Instead, I walked into a barn full of life. Horses stood in their stalls waiting their turn, watching one another step forward with their trusted owners, groomed with love –to shine. There was movement, breath, anticipation.
It felt like a procession.
And then I stood in front of them.
Each one was different. Massive. Beautiful. Aware.
Through the lens, I began to notice something I hadn’t expected. It wasn’t just their strength or their scale — it was their presence. It felt as though they were speaking without words. When I sat down to edit, I kept returning to their eyes. That is where I saw it — individuality. Depth. Soul.
Sovereign is about that quiet authority. The way a horse stands fully within itself. The way power can exist without noise.
This series marks a shift in my work — a deeper reverence for the animal form, something I have always felt connected to, and the sacred presence it carries.
—Juli Trush Pace | Raven’s Frame
Reminiscing HHF aka “Remi”
Archival Pigment Print | 11x14
Sovereign - A Horse Series by Juli Trush Pace
I didn’t set out to photograph horses as fine art.
I said yes to what I thought would feel like headshots — structured, simple, controlled. Instead, I walked into a barn full of life. Horses stood in their stalls waiting their turn, watching one another step forward with their trusted owners, groomed with love –to shine. There was movement, breath, anticipation.
It felt like a procession.
And then I stood in front of them.
Each one was different. Massive. Beautiful. Aware.
Through the lens, I began to notice something I hadn’t expected. It wasn’t just their strength or their scale — it was their presence. It felt as though they were speaking without words. When I sat down to edit, I kept returning to their eyes. That is where I saw it — individuality. Depth. Soul.
Sovereign is about that quiet authority. The way a horse stands fully within itself. The way power can exist without noise.
This series marks a shift in my work — a deeper reverence for the animal form, something I have always felt connected to, and the sacred presence it carries.
—Juli Trush Pace | Raven’s Frame
Benvolio aka “Carson”
Archival Pigment Print | 11"x14"
Sovereign - A Horse Series by Juli Trush Pace
I didn’t set out to photograph horses as fine art.
I said yes to what I thought would feel like headshots — structured, simple, controlled. Instead, I walked into a barn full of life. Horses stood in their stalls waiting their turn, watching one another step forward with their trusted owners, groomed with love –to shine. There was movement, breath, anticipation.
It felt like a procession.
And then I stood in front of them.
Each one was different. Massive. Beautiful. Aware.
Through the lens, I began to notice something I hadn’t expected. It wasn’t just their strength or their scale — it was their presence. It felt as though they were speaking without words. When I sat down to edit, I kept returning to their eyes. That is where I saw it — individuality. Depth. Soul.
Sovereign is about that quiet authority. The way a horse stands fully within itself. The way power can exist without noise.
This series marks a shift in my work — a deeper reverence for the animal form, something I have always felt connected to, and the sacred presence it carries.
—Juli Trush Pace | Raven’s Frame
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